stop hand move cool furrow brow (Ladypillow/Crescent)

from THE DAYLIGHT SECTIONS (39)

there is no winter in the damages
one plays in comfortable surroundings
I love you for example
when morning
the dewbirds rain away
and then a fabled innocence
replays the dark as if and everafter
there will be a tiny oval sun
crayoned yellow to exceed
the expectations of a Monday left alone
to tithe and render an informal
latitude on seasoned expectations
I always harbor you
I look at thick glass and I memorize
"not this" where "this" might have been
and I return to laboratory mention
of the negative I brought to life
I study that
I temper what I feel by looking hard
and then looking away
momentary madness lives upon the brink
of free time where the limber overlay
of moral brackets house one or another
thought

poema reread

To increase the
efficiency of health and care services

we should cut
the funds

to increase
savings and

implement
patient choice and independence

To increase

patient
choice and dependence

in health and
care services

we should cut
the funds

to implement
the

efficiency of

savings

LadyPillow - head turning 2 (LadyPillow/Crescent)

LadyPillow - head turning (LadyPillow/Crescent)

Neon/Crescent 3

LadyPillow/Crescent 2

abre1

from THE DAYLIGHT SECTIONS (38)

not enough to know learn it is morning unless to fill it with the length of afternoon in thought

so far the remedy's melodic and sure singing follows faith

imposing is itself
(an imposition)

neighbors ought to stay at home to have full relaxation when they're in the mood

to ponder is to melt into the pondered

yellow bellied somethingorother in binoculars enough to cope

I'm open to your hollering I'm open to the shore

and in this frame another way of coming to the point
(of finishing)

the dream lasts longer than this spate of ivy

if when relaxed one cameos in one's own film one also can review it

one renews each day by never disappearing

say it, whisper anyhow

hvatwt

lit

LadyPillow/Crescent

now don't photograph
washing her stool kitsch

rationalists

makes form for of em em
brain injury now look seh 'ere

sensibly me, definate you
consciously me
often and you conscious in the sensory tide of air

take time in pride in
making solidadis
mi amour panoply
pap fa so ti de da da I'm not without
referring to a russian
movement
rumour
goes

cinema throw have you noticed the vacuum of carbon dioxide no oh
glacier hands on a metronome
discover America
offers splay her body breasts

on the desk blick sex wi'
mi she groans pathogenic words
pathos
I am a squirrel

this is not a poem patois
feel the bodily ache through
your imagined movement of
each letter love you

lost and signed you fuckin' punk ideaology
wot man shit sorry kinsynthetic
this is a painting drossed
by brush'ed strokes

BOSH QUIP

Yeah!

from THE DAYLIGHT SECTIONS (37)

each conversation interrupts humidity
with weightless diversionary tactics
before the rain late-afternoons its way into
the venison heartbeat

peacetime appreciates unnoticed
amid acres of proof attention might be
turned another way
for now the forecast remains

simple as etiquette
and what shows is absence
of blockage between sensory intention
and its target

moving or unmoved by what draws in
potential via leafage and fresh water
to inform change
with its longer laughter