20 Mar 2010

Foro Romano


Walking through ancient Rome at Foro Romano, near to the Colosseum, the remains and artifacts of a once powerful empire, I came to realise two things....

Firstly, history should not be considered academic first and foremost. History is the recording of lived activity, it is the living of events that was and still is, of most importance. History is not some abstract, mental hypothesis, it is the accurate recording of actual events, as much as is possible. Hypothesis has its place, but this is secondary to the recording and communication of actuality. Writing as the raison d'etre of history, forces hyper reality, emphasising the power of the written word and those who record history.

Students of history (all of us) should realise the limitations of reportage, the responsibilities that come with supposition and the realisation that we are active participants in history. They should be encouraged to view archaeological sites and involve themselves archaeological research. They should be involved in local history projects - "living history". Seeing history as an academic or literary exercise makes it harder to communicate the actual events of history and their importance. This is particularly important today, when we are very concerned with the short-term and coerced into making snap decisions rather than considering the long term as well as the short term effects of our actions.

Secondly, Roman remains and their preservation have great relevance to today. As we know, Rome was a great power, much influenced by Greek civilisation. Roman society was intellectual, aesthetic, inventive and sophisticated. They also had a barbaric ad blood-thirsty side that helped them to extend their empire so successfully.

Today, our Greek-influenced, Western empire, lead by the United States, should learn from the history of Rome. No empire is too powerful or sophisticated to fall. We must make sure that corruption, like we have seen over recent years, does not cause the West to fall, as was the fate of Rome.

Leaving the awe inspiring ruins behind, gilded by Orange Trees, Cypresses, I watched the sunset behind the Colloseum and walked to a nearby cafe. "Bon sera, cafe americano per favore," I said in a French accent! "Coffee American coming right up Sir!" The waiter replied. "Grazie!" I said, hoping to tease some Italiano from him, "Preggo!" He replied almost like an after thought.

16 Mar 2010

What te F**k

A step too far by advertising and new technology

link

27 Feb 2010

text for a new (yet unimagined) picture

You can't (I) and then construe the robots like science thou secular morality
wears thin by technology and governed by politicians oh! false tyger, by this we conceive a place for humanity next to commerce

Turn your computer on
for religious compliance esoterica 72105 11-21.6 component 9 c'est rocks!
Our mothers were art moths cappuccino, myther glutinous vendors or windows carapace (you) delineate the forth stage of practice I am a shade of hue

Hang on I don't know you dominant do you live here? Well not in your flat! Really? 2 doors away... For 7 years! To think I've never seen you! Animal I thought you were a fucking painting something like what you get at Cyclops. I have one of those memorable faces. People think I am in adverts. Fucking! Yes, fucking! :-) Well friends cost money I can't afford it. Did you say that? Yes, it was me! Time is so expensive now. Yes, I know friends are much cheaper on the Internet.

Drinking causes damage that you can't see Autumnal driving causes damage that you can see but can't afford to preach as there is no evidence of cost-effectiveness. Mesmer do you remember before the partners and minors act? We weren't paid to oppose parentless minors... Do you remember? I can't seem to remember any more but music helps to fill in the gaps where ideas once roamed.

31 Jan 2010

24 Jan 2010

Astro_TJ. does a TFOS

Astro_TJ sends a tweet from outer space
"Hello Twitterverse!," "We r now LIVE tweeting from the International Space Station. We hope our friends from Alderaan will receive the gift to TFOS*) like a humanoid soon!"

*)Tweet From Outer Space

~~

16 Jan 2010

Poem Full of Dance Energy

The fist circs the bee sucks
Mr.Elephant's formaldehyde is clover'd
it bust rust da goo goo Ganges (phonetics)

Way out ladyboy glockenspiel "pro"
objetif looks (Thia)
Giraffe stages, the 3 Stooges (premonition/promote)

Three themes hear, employ to
vacate emotion, practical tense (the denied is our next procession)
enrapture les animaux season d'etre

One moon one tide one creature in formaldehyde (arte moderne)
wiggles her soul through bra statistics
Clever she may

no herself from professionalism, the
art of how you say it, the wasp (feminine condition)
craves the butterfly's tongue

wrapped like a moth's cocoon, the idee fix
of minutiae, petite morte and petites objets (impractical present)
Open hand the style decries the species (legislative chivalry)

for bees dance and and ants milk greenfly
by the stream where faeries entertain
near galaxies and taxis (pre-op transvestite)

Subjetif follows her nose
like a crepe suzette lost 4 buns in the oven
intuition may now be purely physical (ontological foret)

like lust until we return spiritual
my cabby is a hippopotamus (ungovernable fable, apathetic humanity.....)
and you are a horse.

Dear Reader, you are Pegasus. (western misanthropy
cultural portal
The
arts
find that reason

is
simply a useful
measuring
tool

a
mercury
filled
thermometer)



Simon Harris (Crescent)

3 Jan 2010

you don't fucking say that (danca) you don't say what you want when you want do i make myself clear? (reverence) barter past capitalist museum piece 018 018 018 crater moon dust saturn they were looting and the whole place was going down a pastiche of capitalism proved it wasn't worth the paper it was printed on and pooh art

Fake Advert


Thank you to Miss Boux for allowing me to use her photograph in this picture
Simon

Buy It Here


Simon

26 Dec 2009

Chess


Conceptual Art dealing with Multiculturalism and Politics.
Looks better large - if you click on the image :-)
Simon

some visuals - link

http://www.flickr.com/photos/shemurph/

25 Dec 2009

"I might venture to say that my new album, though it won't be thrash metal, will be a female companion of 'Reign in Blood' ".


Review of "Coitoris” press conference. (Part 1 & 2).
Sundance Press Office.

All men are extinct. The moon makes combustion into a small sun. Her translation is reversed with the earth and makes the planet orbiting the fiery moon, which makes their female inhabitants live 24 hours of daylight. No, it’s not another one of those doomsday movies. Quite the contrary: it is a musical, a celebration but with tunes that are closer to Ozzfest than Broadway. Coitoris is the third film of the Mexican-Irish director Guadalupe Smithye, for the second time that incorporates the Colombian rocker Innita to deal with the soundtrack. And for good reason, the argument is adapted from an unpublished draft of short story written by Innita.

We are in this winter Sunday, December 20th, at Sundance Resort, where Guadalupe and Innita provide the first official press conference on Coitoris, whose premiere is scheduled for Sunday July 11, 2010. The event begins with a batch of questions and answers, some frames of film’s stages and costumes, and ends with a short presentation of Halo Limia, live keyboardist for Innita’s band, playing some advanced score with her Reactune. After an elegant little ceremonial greeting, Innita starts the press conference: "I can afford to be spoilers (spoiler) of my novel ROMA and read the last paragraph of the final chapter, Love."

After the freckled nude read paragraph, the questions begin:

Q: What new developments can you tell us about the story?
Innita: Coitoris happens 19 years after the extinction of the male, and the male gender in general, on the planet. The first generation of Coitoris women, it is, women born of lovely intercourse of two clitorises, have already spent their childhood and adolescence is being finalized. Extinct, men begin to be historical, archaeological stuff, like dinosaurs. Many things have taken new direction. Technology, now in the hands of women for nearly two decades, has advanced and environmentally progressive way that when developed in the company of men, and the space age unfolds and grows more interesting than sports. It is in this context where the story starts, when the moon makes combustion into a small sun. Telling you more would spoil surprises. "

Q: The rumor is that Coitoris is a musical that is not a musical ...
Guadalupe: But it is a musical. Even when it contains extended scenes of dialogue and monologues and thunderous action scenes, driving narrative that premium are the melodies that actresses and actors sing, which are the 10 songs on the eponymous album innit. If you mix "12 Angry Men," "Chicago" and " Sunshine " here you got a cinematographic idea of Coitoris.

Q: Dominique Pavlanova and Sunny Asgrez are recognized and award-winning actresses in the European stages, and so far only been made just plays. Is it not a risk being selected as stars and being directed cinematically?
Guadalupe: I've seen many of thier plays. They come from different schools. I am happy to join them in Coitoris. It is a challenge for them that adds extra flavor to the movie. Due to their theatrical underground, theatrical school gives me the exotic ingredients I need for film-themed space. Having started recording in November, my experience with them so far has not been at any time headaches or friction, on the contrary, it's like brand new unbreakable toy. It's something new for both parties.

P: The complexion of the bodies of Dominique Pavlanova and Sunny Asgrez respectively resemble the fiancee of Innita and also Innita herself. Is this story with biographical tributes from Innita?
Innita: hahahhaha.
Guadalupe: Interesting observation, but no, not really. I think more than you mean the bust size, you can ask bluntly. We were also told that if the bust of the stars refers to the busts of Innita and mine, to include our egos there, hehe, and they like to say that either.
Innita: Exactly that happened to us, even they are talking that Guadalupe and I are lovers. However, it has to do with the dangerous fashion breast reduction.
Guadaloupe: Aha, the fashion among women continues to grow today, and the debate on the issue encouraged the Hollywood press to speculate on Xetl Xihuatl, the protagonist of my previous film, with the false rumor that had reduced breasts for the movie. I wanted the Coitoris’ actors were distant breast size. It is now known of several cases of almost irreparable injury cases by clandestine reductions breasts, legal medical unsupervised, which become massive and early among girls 15 to 17 years aged and therefore I could not deny that I do want to share my views on the subject. In the booklet there is a small dialog that came with some black humor on this.

Q: There is a rumor that Innita appears in the film . . . . .
Gudalupe: Rumor discarded, I myself suggested to her, I began by suggesting a secondary role to decrease to a hitchcock style apparition, but in any case she didn’t want.
Innita: aha, it was. I do not feel, at least by now, the multi-artist who composes, sings, writes novels and apart from that she even acts. To act on some of my videos is enough for now.

Q: According to the official tracklist, we see that in your upcoming musical work the number of songs are reduced by almost half, if we take into account your 2 previous albums. Is this due to your busy schedule of constant touring, commitment to film or there is something to comment?
Innita: I wanted the new album, recording phase yet, be an outburst and intentionally I discarded the idea of swinging curves of ridges and valleys. " Good things, when short, are twice as good " "less is more", etc.. The album, like it is my short story in which Guadalupe based to expand to movie format, is a celebration. So my album Coitoris ignores the slow rhythms and melancholy of songs like " Vampirama ", " TV Sunsets ". I might venture to say that my new album, though it will be not thrash metal, will be a female companion of Slayer’s "Reign in Blood".

Q: According to a financial newsletter of Concordia Films, the film production has risen and risen to the point that they have integrated new investors.
Guadalupe: Right. Since I announced my new project publicly, Concordia Films has no objection to associate with other producers to give Coitoris technological quality and logistics necessary for its materialization.

Q: Will there be integration of the Innta´s tour “Coitoris Eronautica” with elements of the film, as directly as at the time Pink Floyd did it?
Innita: It's funny you ask that, for a couple of weeks ago I was watching the circular elements in the scenery of Pulse, and discussed some of there with my set designer and my producer on some of my visions for the tour. But regarding your question, I think it will have to wait to see the film and view the tour to get your own impressions.

24 Dec 2009

Global Economics, Culture(s) and the Shaping of Scientific Theory by Pragmatism, the Arts and Cultural Change

Fuck a duck
duck a fuck a
duck fuck

cluck beyond
slut tuck noir flutter
ducks clutter
Beethoven's 6th

clinker retinal
chuck your fucks
ducking clucking
purchase

bartering ducky clucky
fuck to ducks
mucky fucky
splinter toil

lucky duck's
got der fucks cheap and tatty
with a clucky moorhen
splice

cerulean fuck
blatant fuck
plucky duck
all drakes and signets

5 Dec 2009

Process as Art


Process as Art, originally uploaded by crescentsi.

Stuck in a process, aside
and then art.....

Three areas of text in this picture, that read;

"Individuality
conform con form CON form
blunt rib cage 7
9 AS
Push Tap

Unfriend ly
technocratic fresh
computer shard light house
beam consumerism
conservative proletariat

We conspire to politics
Iris-like repetition"

Text by the artist.
Simon

New Perceptions of Identity


New Perceptions of Identity, originally uploaded by crescentsi.

Thank you again to Miss Boux
missboux.deviantart.com

This picture reflects the changes to our perceptions of our individual identities, as Western societies become ever more technological and commercial. We struggle for uniqueness and a comprehension of "self" as gender perceptions, multiculturalism and globalism, constant economic and societal change, mass technological immersion and political instability continuously occur.

"Social Networking" websites like Facebook, Twitter and MySpace (and to a degree Flickr and related arts websites) seem to be emblemetic of the aforementioned Post Modern phenomena. In addition, it is important to acknowledge the breakdown of the Nuclear Family.

Of course, social networking and other technological, communicative developments are a poor substitute for real relationships and friendships. However, it would be foolish to state that they are completely without their uses. The isolation that the Internet can cause to many people is ignored as we continue to "tell the world" via Facebook, how we have dumped our latest partner or just bought a new "Sat Nav".

Although this can seem very shallow, and to a degree it is! However, we are looking for varying degrees of fame, as Andy Warhol predicted. As we can no longer find the kinds of relationships within "real" society, we try to find impersonal and fleeting connections and acknowledgement via new technologies. Ultimately, all Internet users (apart from those who only look!) are chasing fame. Most will be disappointed.

Our excitement at the novelty of technological innovation and its opportunities are continually countered by the isolation and the fickle nature of the Internet, and other technologies. Many of us complain about the impersonal nature of society, that has been strengthened by new technology and worsened by the Recession. Are we willing to pay this price for a technocratic, capitalist society? And, importantly, do we really have much choice?

Simon