Note to Self (21/07/2019)

New technologies can exacerbate the problems that they were designed to solve. In addition to this, new problems are emerging because of our use of global communications. The problem with the use of new technologies is our over-reliance on these communicative tools, not, necessarily their existence. Over-reliance on new technologies is intrinsically, caused by the overriding power of high or late Capitalism. The design of technologies to be addictive, the value of the acquisition of wealth over the health of individuals and  turning a blind eye to the negative societal impact that can be caused by such technologies, is where we are failing ourselves on an individual, societal and global level. The favoured response to the aforementioned proposition is a tumult of silence.....

Pepperland: excerpt from "Wilbur Scoville" (2:31) | Mark Morris Dance Group

Full of problems and limitations, purposely contrived, tacky and cynical, like dance-confetti, cosmetic yet wry, Pepperland is strangely appealing and memorable. I loved the use of repetition in the work, seemingly echoing the Beatles music, utilising paradoxically, cogent yet endearing choreographical motifs. At once, shallow and mocking, Pepperland oozes an intrinsic irony; the cosmetic can be subtle, playful, facile, tasteless yet wonderful. Then, surely Sargeant Peppers gleeful, whimsical Pop-experimentation would be the ideal music for Mark Morris's choreography?

Simon

Rukmini Vijayakumar: Natyanjali Chidambaram

The brilliant dancer, Rukmini Vijayakumar exhibiting wonderful precision and exactitude of form yet flowing as if improvising with an exceptional "automatism". Exceptional and awe-inspiring dance....

Simon

April 2019; Simulation, Eco-Protests and Black Holes.

I've noticed quite a few notable occurrences over the last few weeks; for me the common theme between them is, intrinsically, simulation.  Okay, this is nothing new, far from it, but I think we can observe how the use of simulation has increased, affected our perception of reality and therefore our behaviour. Baudrillard waxed about simulation and simulacra decades ago and I am extraordinarily biased towards postmodern thought and enjoy the notoriety that my snippets of postmodern theory, artistic insights and philosophical quips afford me.

Then again, I am genuinely rather concerned about the impoverished method of science, our over-reliance on new technology and its effect upon us and the controlling mechanisms within society(ies) and the misinformation or disinformation that frequently pervades our lives. The established media, indeed so-called "quality publications" or "high quality broadcasters" spin opinion masquerading as fact to the point that the public are reacting to falsity, exaggeration, hyperbole and sensationalism rather than truth, or at least a reasonable attempt to report accurately and objectively.

Trump is undoubtedly one of the Kings of falsity or, if you will, fake news.  Of course, he is the fake and continuing and exasperating investigations into his possible collusions with Russian interference in US elections, only serve to make a suspicious public more suspicious of his bizarre behaviour and his continued ham-fisted attempts to quash any allegations that may infer his involvement. But Trump is an oddity, a symptom of a high-capitalism and the USA's attempt to adapt to multiculturalism, globalisation and the emerging economies.

In the UK we have seen the rise of anti-Global Warming protests and Extinction Rebellion protests. Global warming may or may not be occurring, and if it is it may be a natural occurrence, it may have something to do with human behaviour or be a mixture of both. As ideas have become increasingly politicized it becomes difficult to admit that we don't really know what causes global warming (causes are potentially multifarious) or, indeed, whether it is occurring at all.  My online attempts at discussion regarding global warming have resulted in a religious-like rejection of my questioning of the dogma that these these ideas have become.  A simple opinion, reasoned, balanced and mature in nature can send people into a frenzy of anger, fear and upset.  When I point to contradictions in theories regarding Global Warming or cover-ups in research that have, at times, indicating global cooling, some people are rude and offensive, others question my knowledge or sources as not being reputable. Essentially, the politicization of thought, the dogma of ideas has resulted in less democracy and liberty when it comes to the formation of and discussion of ideas.

Anti-Extinction protests, including childrens' mass demonstrations are, in my view, symptomatic of human perception being fragmented by hypereality and the false or exaggerated claims of a persistent media.  We can forgive children for their naivety, and an interest in political/environmental events outside the classroom is useful for their development.  However, adults don't have the excuse of immaturity and really should question the reliability of the information that fuels their protests. Not that this is always easy, when we are consistently bombarded with (dis)information. Indeed, I could wax about perceptual simulacra, "truth" being a representation of truth that becomes a subject in its own right, existing independently from truth.  This statement is an exaggeration by myself and not entirely true.  Fortunately I am conscious of this and not too proud to admit my error of thought or perception. Nonetheless, as I mentioned before, simulation has had a significant effect upon human perception and, consequently, our behaviour.

Not only do disasters come to our attention on a frequent basis, so do discoveries. The way many of these "discoveries" are reported makes them seem completely new and that some of the great questions of mankind have been answered, or our greatest fears are being realised. The M87 black hole "discovery" is problematic for many reasons, based around erroneous and sensationalist media reportage and the use of new technologies to create a simulated and conglomerate image of, what is deemed to be, a black hole. The representational image, put together by "artificial intelligence" may indicate that there is a black hole present in this distant galaxy, however it is not the conclusive proof that scientists and the media want us to believe. The M87 black hole is not a fact, it is a possibility perhaps even a probability, but certainly not a fact. It is not the existence of a black hole that bothers me, or conversely it's non-existence (forgive the astrophysical pun) rather more it is the dogmatic approach to evidence, the jejune reportage of possibilities as facts and the way in which the methods that were used in the observations were simply accepted as being conducive to accurately understanding physical reality.

Simulation is just that; a representation of reality, potentially a useful tool that helps us to perceive and comprehend something that is difficult to apprehend through the senses.  Therefore the fact that the discovery is a simulation should have been reported, rather than the questionable notion that the discovery is factual evidence of the existence of a black hole.  Both the scientific team and the media are to blame for this occurrence. The data collection through A.I, in this case an algorithm that collected data and merged it together to give an impression that makes it easier for us to perceive the findings as a black hole, should be thoroughly scrutinized before claims of factual, black hole discoveries are made.  Are we certain that Artificial Intelligence has developed to such a level that it is helpful to scientific analysis and our perception, or is it actually a hindrance to our understanding, particularly when we are dealing with such distant galaxies, their huge size and such theoretical and rarefied phenomena as black holes?

The "discovery" of the M87 black hole is, essentially Katie Bouman, the Computer Science student who developed the algorithm that merged data and helped to form a simulated black-hole image.  This may seem a farcical claim, and of course, my claim is fallacious but acts as a metaphor for the media coverage of the black hole discovery. The media obsessing on this young, attractive student and the dismissal of the rest of the team of scientists that she collaborated with, is an oddity of our times. As I mentioned before, the biases of the media are rife, sensationalizing and falsifying as they churn out huge quantities of information, regardless of such antiquated concepts as impartiality, objectivity and, dare I say it, facts.... An attempt at truth is anathema to post-modern disinformation, the politicization of ideas and High Capitalist ideals.

Political correctness policies also diminish an accurate comprehension of reality, reporting through the lens of legislation, fracturing truth into simulation and falsity. The emphasis on Katie Bouman, in my opinion reveals both a cultural shift from the natural sciences to applied science, namely new technologies, and the overarching power of overt legislation that gives a bias towards women in media reportage. The former is one cause of the poorer scientific research that we currently experience and the latter is, once again an example of simulation.



The image at the top of the post is an image of the simulated black hole in the M87 Galaxy via the Event Horizon telescope.

Simon April 2019

Aruna Kailey/Sohan Kailey/Rang-Zeb Rango Hussain "The Journey From Dark to Light"

Dance Artist: Aruna Kailey
Videographer and photography: Rang-Zeb Rango Hussain

Song: Rasiyafrom the movie Kurbaan

Sohan Kailey

Song Translation:
O my beloved/ O sweet one! (O the one full of nectar!)
My crazy love for You is not finding peace/is restless
Come my love, embrace me now
My crazy love for You is not finding peace
Come my love, colour me now
Embrace me now
One body, one life, may we have one world for ourselves
May our souls embrace each other in such a way that our beliefs/consciences become one

The night is as dark as tresses (dense hair)
On the lips, the words are shivering
My dark coloured breaths are requesting something
Come and colour my white coloured (yet colourless) love
My crazy love for You is not finding peace
Come my love, embrace me now
My crazy love for You is not finding peace
Come my love, colour me now
Embrace me now

The above collaborative project between Aruna Kailey (Dancer), Sohan Kailey (Dancer) and Rang-Zeb Rango Hussain (Photographer/Video Artist/Writer) deals with themes such as spiritual rebirth, regeneration and positivity, in reaction to contemporary experiences of accelerated change, financial uncertainty, multiculturalism/globalisation and spiritual experience.  Rango's commitment to positivity in anxious times is both refreshing and hopeful and points, in my view, to a form of humanism that embraces multiculturalism, agnosticism and secular experience. In recent times when we have experienced the New Zealand terror attacks, the shootings in the Netherlands and many other atrocities across the world, Rango's eclectic and peaceful vision seems particularly pertinent. 

Aruna's dancing, fusing Bollywood and Belly dance, acts as a potent metaphor for spiritual "renaissance", societal rebirth and regeneration.  Intrinsic to Aruna's approach are powerful, cogent gestures together with a fluid, elegant subtlety of expression that perfectly exemplifies the visual narrative of the piece.  This flowing lyricism, together with Rango's words/imagery and the powerful, evocative music used in the videos expresses a potent spiritual aesthetic that invites interpretations of a peaceful holism and creativity.

From a UK perspective, the collaboration is celebratory, as it evokes multicultural experience. It is also essentially surreal, in the sense that a large British city is used as a backdrop for the photography and video-art that exhibits Asian forms of dance. This displacement offers a learning experience for all cultures and therefore, as aforementioned, encourages healing, co-operation and societal harmony.  Whereas terrorism has become a global threat, the UK has experienced over a decade of crippling austerity-measures (denied by the Government) and a dramatic rise in knife crime, committed mainly by youths and young adults.  Therefore, the importance of the narrative and conceptual content of this artistic project, cannot be underestimated.

Rango's video featuring Aruna's dance improvisation that inspired me to write this review can be viewed on the following link;
Video on Facebook.
The lyrics to the song, translated into English can be read above.

Simon. 
23/03/2019

My Response to "Scientists ""Reverse Time"" with Quantum Computer in Breakthrough Study"

Scientists "Reverse Time" with Quantum Computer in Breakthrough Study

The Above article featured on the Independent, 13th March 2019.

Siouxsie And The Banshees - Placebo Effect.wmv

Mimi-Isabella Cesar Visits Birmingham Bhangra Fitness Class 2

Mimi-Isabella Cesar visits Birmingham Bhangra Fitness class

November Two

December through to January

No mustn't! Diluting familiarity to the point of saturation we will empower those who remain disempowered echoing genetic codes increasing anonymity by striving to be famous when consciousness wanes to ordinariness we must!

November

Trumpeting Brexit bureaucratic schreckgespenst by proxy, a governance of computer lead irony. A contradiction equates correlation, media becomes the protracted severance, representation le coeur of the malaise, the pith of the botched up, bodged together, incompetent, obfuscated bullshit.

Post-competency, a heart beat in the trees-fold le crepescule of (rustle of breath) a topography of words-fold the page; a neo-lingua franca! A cultural identity born from the land, the sea, this topographical identity, where words have no familiar meaning is a most frightening, severed place to be.

October Two

You're thoroughly motionless global cooling indicates binary opposition apercu and religiosity Pandora's box is a constant via a climatic heliosphere 

We are excited about the inevitability of Winter and a politicized conception of global warming we could call it love
love it call could we warming global of conception politicized a and Winter of inevitability the about excited are We cynical advert surreptitiously pugnacious a panpsychist cultural expressionism or a projection of solipsism?

September Through to October

Ne'er oft' stead(ly) seen here, misandry is a common theme, 33 out of every 78 percentages evoke a reaction vicariously minted. Mental health; sweep it right under the carpet, right under the carpet sir, the worse the funding gets the harder we sweep it right under the carpet, right under the carpet, right under the carpet like Freudian denial. 18 out of every 90 provoke a response simulacra and sensationalism marry/exported trope symbiosis culture clash(ed) cornucopia. An endemic epidemic pandemic supra-specific exact arbitrariness of location(less) the very point I was trying to make was lost in the words I used to communicate. Oft' seen ne'er err somnolence.

Cliquesque like catholicism permanence is a radical breath