sAyingsometHing

Art, poetry, digital art, photography, criticism and essays.

29 Nov 2007

Vespers (32)

one
releases syllables
until our silences

begin to match
the unknown,
housing

measures
of central
tendency, as if

and only if
the known
equalled

infinity,
meaning without
recourse, thereby retraction

permanence unwhittled might
drive daylight
toward

imperfect
shadow of
nightfall, mellow twin

both resisting and
accepting contrast,
uplifted

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