24122005

"24122005" - visual poetry - 9 pages - click the link to go to the next page


http://www.simonsnewmedia.com/24122005.htm


Any comments appreciated

Thanks
Crescent

BLUE BLUE

FELOOOOOOOOOOO STAT OBJET REPETITIONS U
MYTH OF OMNIPRESCENCE OF DADA CANNOT [CINQ ANS]
FOOOOOOOOOOOOO TEE ET CETERA MA CHERIE MYTHOLOGISE
FLOOOOOOOOOOWW TUH DANS ETOL GRAMMATARIAN
TEEEEEEEEEEEEEEE FRA EMOTIAGE HISPAIR MOON
CHOIX DU SYMBOL AS LANGUAGE APPEARS DISSECTED
ITS ANALYSIS HUMANITIES DANCE FROM MUSIC PSYCHOANALYSIS TO SCHIZOPHRENIA DANCE LANGUAGE
OOOOOOOOOOOOOOOOOO FROM MUSIQUE CHERCHE ACCORD
WE SHALL END THE TERSE SUBJECTS OBJETIF SUMMERY WORDS VOCABULAIRE LINGUISM NEO-EXPRESSIONISM CULTURAL ABSURDISM MEANING MEANING MEANI MEAN MEA ME M M NO THING
DONT SAY YOU WILL YOU WILL SAY IT ANYWAY

tongue't

stabbed
hand above
raised knees imitation
folded

(above) derivative
sentence pure pantless
penis
majority "equips

increase this man"
(t)
stab delivery
(back) above slowly

below
folded waved
ascending up(it) (pressed
butt)

concrete collect
(graphically represented) paragraphs
"each
group, saw"

two nominated fingered
(in
air) graphed
sentence bent in

newly released collaborative title: Barbour and Murphy

http://www.uap.ualberta.ca/UAP.asp?LID=41&bookID=664

Continuations
Douglas Barbour, Sheila E. Murphy

“The strength of this book is in its quick-change artistry, the sensation of flux that is continuous, and capable at any moment of erupting into epiphany or surprise.” Roo Borson Across great distances and a panorama shaped by words, poets Douglas Barbour and Sheila Murphy began writing in collaboration. Tapped to technology’s dance across paper, with thoughts like bright colours coursing across screens, Continuations emerged as the product of a new creator, a “third individual,” who writes differently from either poet. Words shapeshifted and poets transformed, Continuations is an intriguing addition to the growing field of collaborative poetry in North American literature.


ISBN: 0-88864-463-9
Price: CND$ 19.95, USD$ 19.95, £ 10.99
Discount: Trade
Subject: Literature/Poetry
Publication Date: March 2006

from THE DAYLIGHT SECTIONS (28)

what of reverie appears most chanted
as the slant of daylight singes altar cloth
worn close to elevations each transcendent?

as the glow of winter passes, broth is warmed,
unless the rink is glutted
still with blades and fibers
filling up a surface blank to touch.

one winter's worth a thousand suns
gone dark to pale and filtered
by an interfering cloud still slight.

quills of yore center a message
that the eyes resist as tight.
the color peach rains steel intention.
with the color pink implicit.

chains of rental space enlist our sense of slight.
the alleyways never curvaceous
trim a little space from feathered warmth.
the sun is mentioned twice the value of a penance,
where chill spawns youth to leap
from range of fire.

fork'spoon'd

stroke

left bat
foot (expensive for)

behind

bat back
part way it

bat

arm right
starts (independent function)

absent

falls distant
nose cracked "mucus

&

blood" could
be called wipes

(linguistic)

"blood markings
un(focus) tools (ing)

to

tango'd, eh"

meaning

that preliminary

block left possible

oN HarryKStammeR and ideas inspired by his poetry

ARBITRARY REFLECTION REFLEX
MY BODY SAYS THINKS

[][][]\[[[

[

[[[][/

unliterary aside: peoples' needs can be measured accurately and simply by using representational units. For example: 4 = the need for food, 7 = the need to express anger. The decimal, numeric unit, as used in monetry transactions is both convenient and simplistic.

Therefore 4 [food] + 7 [anger] = 11. A person with the score of 11 would be said to be in need of food and needing to express anger.

The score of 11 can instantly be used to calculate an individual's immediate needs and therefore a financially, verifiable outcome. Therefore, this person would be given £11 to supply him/her/child[she/he] with food and alleviate the need to express anger.

This is an oversimplification of the theory, but when it is used to apportion commodities and services to groups of people (for example; thousands) can clearly indicate strategy for meeting the needs of a population.

unliterary aside fi/nit

destruction #4

somewhere someone creates a glorious world
	soon to be raped by civilization

from THE DAYLIGHT SECTIONS (27)

thank velvety permanence that includes forgiveness
what I have made of intervals
in abundance now softens before
remains an oversea of white wall light

during the first chance closed my eyes (the body fragile)
during the second chance again closed them (turned to body broken)

stones worn by repeated water
water aflex against the stones

impart | relayed | response
to have forgiven spawns a different breath

light's worth transists intention to have warmed pure present tense

same factual earned truth against the hours

from THE DAYLIGHT SECTIONS (26)

something wrong
I know it's out there
evidence of shining
leaves
springsmell
overtures of crisp bright
and the blooms shallowing
each atmosphere with the nip
of cool weather
where I most need

while inside
a glut of what I am
not good at
tithing turned excessive
to the point of
nothing to the point

if confidence propels itself
to reconstruction of the core
then many more indulgences
are needed just
to gain the strength
to chisel
dark away

visual language

tele
phonetic symbologic
persistent parallaxing object

CITY IS SHRAPNEL

14 page visual poem from SayingSomething Blog. Click the link to go to the next page. Comments welcome. Click title to begin.


By Simon Harris aka Crescent

Thanks to AnnaBloom
Copyright for the comments remains with the person who commented.

collaborative writing

Contribute to "Catching the Dream Stone", started by Julius Smit on Trace Online Writing

http://trace.ntu.ac.uk/forums/categories.cfm?catid=9

You can join Trace on their home page -

http://trace.ntu.ac.uk

Cheers
Crescent

these are unreal times [I won't a goes a askin' the question]
cannot recur answer collatory/arbitraro des amigo lucy metatrocious
contradictory stationary

glissando pliet stroll and
touch pervavore travel step pounce go forward extempor dip move shoulder up
shoulder up pervavore out

bathos extraordinary [ambiguity of ambiguity] lucky
contradictive contradiction
celebacy these are defying times right from
the runes serenfuckituppity
textbook stuff we were homeless in accommodation [insert bird in flight evidential of artistic metaphor]

crescent(I,2) why is it that something

thatmeans

something else now

meanssomething

else

perhaps contradictory but still the same thing

then we move out from
the first part and walk over with attitude 4 steps and then start again with a deep pliet it has to flow extemporise after the stepping
section [hypertext mimicry] step ball change
step ball ch

A nge

waiting by bus stations for my earthenware angel palmed by the fiction of skooting and thro'ing cars and buses ne'ertheless touched by dreams fingers
In office procedures are piffling quite inexact and exact [contraposto] at striking distance snakes blood ripped tangles oestrogen

plus ca change plus c'est la meme chose histoire times misfortune capture rush traffic light camera

FUCK PIFFLE .... GLissando eso acronym psuedonym don't JAZZ aspirational a spirit global circles the world .... tell the lie dry camera photographique urban expressionism feel the faff

from THE DAYLIGHT SECTIONS (25)

she is here alive as guesses in the tall grass we are talking
when she leaves I know she will not need me anymore
I will not let the strength go by

the miracle is she will be released from patterned walking
sleeping working lunch
and I will have her spirit for as often as I need to ask

for all my years I've practiced savoring
it's quiet in that sport of noticing and living out
each breath inside the space of just a little light

to have in common an appreciation is as good as
lying down and talking it's the same
to level and explore the horizontal regime

of how we're made to be eternal
a French legal term is not enough
nor English

all one knows to do is breathe and listen
to one's breathing maybe love
is letting every one of those five senses

melt the barriers to truth and to believe
in possibilities because they're there
they're witnessed

the alive points single out of frameworks
urgent tapping rumored to be grace
as light as tape

this is the warm world
this is space between us
here to offer a protection from our inclination of desire