sAyingsometHing

Art, poetry, digital art, photography, criticism and essays.

27 Jul 2005

her ericature salon coat ear sky blue EXTRA REAL FLESH stood fennel at the ah but!""
turnaround again




CAR CRASH
PAPERWORK CENTERED COUNSELING
mumble blaG serial psychobabble
ethos anthem eva STUCK STALLS
trisectograpple trigonometryjanet et muzak FUCK OUTA pursuance PSYCHODELICAmusn't bovva bovva yeah how's it know er JAZZ POPPING POP
DAYLIGHT IMPERMUTABLE

neologism limerick daying cloud
uptoish

26 Jul 2005

from THE DAYLIGHT SECTIONS (3)

symphonic pieta. through windows
who is there.
upon belief in a fresh flower,
equally faith relives the unseen.

I tempt an early self to join me now.
each lifetime you find me
I am good at finding nothing.
reflex is a crisp flower.

I remove myself. today I heard
him say that he could serve
as a psychologist because he can
exempt himself from feeling.

I cannot remove myself.
from anything. the birds do not
drift by. the texture of a photograph
does not. my hands are here.

I feel what I believe
you feel. pieta. what do I do
with this. still real still
breathing in my thoughts and heart.

and in my mind the half chilled
flower becomes the same crisp
and the body in my arms
my arms around this body.

23 Jul 2005

junkmailentre7.rubbishspeakstopoetryofracksantothersalineseafeaturesclothinglike5.poetry
absurd
andthebettermcadees
thatChauhAnsclothingshortthebetterfletter
malad;
ETRE,and1.the
multiplicityofstepping theavantgarde and2.
carsthesimplicityisthenewsimplicityI5.'llhaveanewswimsuitfrom deeshore.ent
antwatch4.TelevIsiONthroughtheglintyewrofthe
6.nilE

20 Jul 2005

from THE DAYLIGHT SECTIONS (2)

aspiration cleanses, although
the dirt has dried, direct,
and scented land retrieves something
to be carried to a next.

devotion hastens sensory confinement.
spars with curiosity as headstrong
limited partaking, where a tinge of wind
leaves home but cannot get away.

one crimes ones way through
viewpoints stained with crevices
that redefine a kind of glass
(through which a sleeve of force) . . .

a no-fault encryption sunned upon
by less sheer poses and impersonations
of the objects and the wingspread
and the lakeview and the solace

vaults a quality of mirroring to take place
within the engineering of the pane
of premised glass, this astroverge
of empathy beneath the sky avenges

center swat team to revoke
the privileges variety imposes.
once in a deep long while
the force of second person presses on,

advances to another tier, thereby
is looked upon within the theory
of the moment saved there is potential
for a recollection of this new evidence,

seeming an indentured quality
to challenge the assumed adeptness
of long suffering projected on
an individual of uncertain repair.

15 Jul 2005

from THE DAYLIGHT SECTIONS

import ant (pale not shepherd or a calm pure taint on text)
import ed (uni form es cape hat ch)
import er (de cid ed lolly gag)
import ing (luminous qua lumens all)
import al (enter at your own)
import une (given gospel or re moved)
import able(de fine d)

sanctions arouse arisen takes
within the space of moments
just moment um
fast asleep a ski te ring
sound a sample case with in
a sample case

9 Jul 2005

CONSCIOUSLY ME
CONSCIOUSLY ME
NESSX HJU
NESSX HJU

OBJET SO FA
OBJET SO
FA

RAISON SUFFER
RAISON SUFFER wgere
where are you on
the train where are you

on the train
cIne
ma
Pliable AArdVARK as if
musique had entered literary fervour tHE stroke of the art the strOke of the
art
STROKE STROKE STROKE STROKE TUCK cnut Groc
eries
the stage was set we played
the game worklike and disperate eNTer messieurs dancer at HALIBUT offal
trains
running, pensive now
I THORT OFF IRISH POETS NESSX
HJU NESSX HJU
TRAMS ARE REAL TRAMS ARE
REAL
SI COTI LA
BIBLIOTEQUE
TRI CALLUM TA
FRANFURT
BETWIXT THE SHOWERS BETWIXT
THE SHOWERS ENGLAN' SLEEPS ENGLAN' SLEEPS
WAITING FOR T' SUN WAITING
FOR T' SUN
THE REASON IS THE REASON
IS
CHUGGACHUGGACHUGGACHUGGA
RAISON RAISON
CHUGGA CHUGGACHUGGA CHUGGA
RAISON RAISON

cinema

THROW


1 Jul 2005


as it begins to
frup
motion sally toKK si ohw motion n
o
tion re
saying sometyhing
oc

ean ultimately crescent
i think that there is a lack of lnterest in this
k
ind of
digital

wheel rotate text desengage eso DanCE