I'T PAINT A
PICTURE WITH A THOUSAND WORDS NOT TO SLIP INTO NEOLOGISMS LOGOS ITEMIZE YOUR COFFEE UN CHANGE

4 ALL THE WORDS
WE STUMBLE
BILL

ON FACEA
EXTEMPOR TEMPORA
MEANT IN CHANGE A COMPLIMENTORY PILL PHILLIP AND ANDROMEDA CONSANGUINE
LANGUID EPITHETHERY WORDS THEY COME FLEET AND FALL LIKE DANCERS IN THE SHOPPING MALL ON IMAGES MOVEMENT AND A KIND A SENSE WE CALL HOW BLACK AFRO CARRIBEAN HAS
WHO THE HELL AM I ?

ANYWAY DICTION TALL LATTE
MILL
ITEMIZE YOUR FAIRY FOLK
CRITERIA FOR CARD ACCESS IMPLICIT AND
FALLING THROUGH
THE HEATHER ON BODMIN
MOOR WE WERE MUCH YOUNGER THEN

YOU EAT YOU SAID ALMOST PAINLESSLY MAIME EVENTUALLY LIKE A FREEFALL TO WATER MY GIRL
U
SED SUCH SUCCESS ASBO'S WHILST READING KLIMT IN UR SPARE TIME U GO TO THE ART
GALLERIES LIBRARIES TO LOSE CONSCIOUSNESS U SED WITH WAKING FEELINGS AND EYES LIKE
PRISM CELLS I ENDANGERED CATHARTIC DE RIGEUR ABSORBING EMASCULATION YOUR WEEPING BEAUTY FAR MORE CLEVER DICK THAN ME

EYES

TROPE E AND OTHER VOWELS

LOST IN DICTION
FRICTION OF
STEEL DRUMS ON HIGH STREET LOOKING AT U NOW YOUR BLUE GAZE COULD
NE'ER QUITE DECIPHER ME (I GUESS YOU SAW A HAGGIS OR A BEAR A HORSE OR A BARE HORSE) WE PASSED THE SHOPS AND BY-WAYS AND YOU TALKED ABOUT DRIVING
POSSIBLY BARE 4 A LIVING WE KISSED AND U DECIDED YO TO TAKE THE TRAIN BACK
HOME

I LISTENED TO
IAN DRURY WHEN I CAME HOME TODAY GEORGE BEST DIED I DIDN'T FEEL A
STAGNANT (THE USUAL) HAPLESS MISERY BUT A SENSE OF
INEVITABLE STRANGELY AS I
SAT AMONGST PIGEONS THE FAST FLESH OF FEMALE CASH ATTENDANTS YO IOWA IO
I
SAW I SAW RIGHT UP
THERE THE GREAT BEAR IT MADE ME FEEL
ANDROGENOUS KNOWING
THAT YOUR STARS MAKE HIS PAWS HEAD HIS HEART LINE
OUT AND WINKED FISSION YOUR SMILE LIKE THAT SCHIZOPHRENICS PAINTING SAYS
IT
ALL

OMNISCIENCE WOT ARTISTS AND SCIENTISTS WORKING FOR INTUITION FOREWARD SOCIAL INCLUSIVITY TO
ME 4 DOCUMENTATION AND A BISCUIT AN' A CUP OF TEA/COFFEE PASSIVE SMOKING
(THE THOUGHT OF IT) MEANS MY POEM GITS TOO LONG YOU HAVE AN AMERICAN ACCENT SHE
SAID HE WAS FROM DUBLIN

THE TIME MUST
COME THAT YOU
JUST KNOW A POEMS GOT TO THE END JUST JUST KNOW WHEN TO STOP IT JUST KNOW JUST KNOW NOW

The arts are leering, he said
contraposto d'or like quick sliver
deconstructionism (ars poetica) rien rien
mentioned something about her door not
having a key. Surreptitiously leaning into
voids packages surreptitiously surreality the
dance school closed early for Summer. Combien a t'il
et cetera

Ultimato IC US US [the Greek school of neologisms]
blame compulsory education, freud was a letch
I have black flesh he said one combien here
one combien there etre, surreality is impure, shite
Modernism fucked up the shit hits the fan.

Due in pre-tomato society apparently symbolism is
a metaphor good King Wenceslas and all that that is
better said in music or art or theatre like a queer
furore, Celtic drums drama folklore. (Street)
At night her breasts are clouds on the tilted hill,
In page 3 and the Polaris Gibbous phase or Dream Time,
I'd hate to be a lit-crit. She stands in a corn field
mais she's conscious oright even young ladies who wear
hearts in their eyes.

The snake, the pathetic fallacy, not even tomato nor
chaos theory will do it in the twilight, the trick
of it is, she becomes more photogenic the moonlight hollows
out her bones and you can see the muscles dappling
her skin. In a society crying out for a relevant religion
it seems post feminism (a suffragette whimper) Hers
and messieurs (a la topsy turvy) won't do it. [subjective, aesthetic?]

from THE DAYLIGHT SECTIONS (16)

if I could mood you to exclaim
your druthers it would ease
shared kinesthesia or
remainder our past tense
beyond the lay typology
meanwhile topography endures
look at the landwheel burgeon
as we make our eyes include
whatever posses forge their way
toward defining at the hour
our depth perception

matrices invoke legumes near seas
no matter what serenity the sky
spills one is often young in
theory less by name than
center with capacity for holding
what I equally release in time
sans will or scope of work
that predeceases an intensity
once rumored and once fact

ligatures condone our joining
via prophecy
I lay my silver leeway down
along warm carpet near crisp fire
while the inception taps at
memory prolonged if rigor
is a color and if shapes
rely on atmosphere and lack

je regardez IGE

I GROW HE SAID AND I FEEL I GROW HE SAID AND I FEEL I GROW HE SAID AND I FEEL

MAINTAINANT CHIP CHOP ERRORS

I GROW HE SAID AND I FEEL I GROW HE SAID AND I FEEL

do you

know the PRICE

of a pack of

cigarettes

i'Just(did)n't

from THE DAYLIGHT SECTIONS (15)

supponents lash
if leather out
long weeks of toil
perhaps in hibernatural
endownings

crafts come kiltered to
suffused young smile
eccleselastic spun tonged
riverist jambonentry

as punctuarium
for not(h)ing more than
hinges in the liftoff
of finch breach of
low-toned argument

sugar is a ton of
aftermath watched to
fruition hunger masks
eventually

a warmth inherent seeds
distance between
two (place) settings
that might adjace themselves
apres the a cappella
lore that's sifted one
from nextitude

Mow don't sta change me supper schizophrenia rock N rOLL isolating bills
pissed with friends Now don't stop 'ere the somalians homeless out of bins
tower block he's really ill that's me and him george in the walls windows
i used to live ere with my mother AAH SHE BIT ME she cooks a good meal I wanta
goes home the inclusivity of ethnic minorities my avant-garde express train I haven't got sta
£1.70 to my name mawkish hawk 5 then 10 then 5 it is what he say splay 5 then
skankin right up skankin Now don't start me Asthma sits under the trees she puts her bag down and then she goes the multiplicity of changing Now don'sta goes er changin!!:) u did well
with him avec recherche hablas germain sorry i'm goping for a fag i'm going for a fag i'm going for a FAG I'm going for really animalistic Now rehydrate before you come don't glass me slippers 13 months AH 13 months even Shakespeare

OUT FORM UNDER
THE SPANISH SIGHTED MOON TINTED SKANKIN SKANKIN POP POP ITNER RECHERCHE
EXCLUSIVITY FOARED JAZZ
ATTITUDE FROWNE WALK WALK TALK THORT SLEEP SAY IT
WALK WALK THE CRIES OF BATHYSCAPE AVENUES IN TOLKIEN CLOUDS
RIBBED THE PEARL MOON OUTA SIGHT EYE IS THE
PULSE OF HEARTS CRASHING IN U

NSPOKEN METAPHORIC GLEE

the animaux (les papillon/armour/love/amigo00 die in swoshing
tides fennec coz it sounds like fox f f f i can feel my heart rhythm rhythm
beat beat 1 2 3 4 5 6 7 8 like silk flesh

notes on new media

The mistake of artists is to consider New Media as a distinct art movement. New media art, text, so on, so forth are really extensions of experiments in the field of the visual arts, throughout the 20th Century and into the 21st. Artists have arrived at the conclusion that art is the ability to perceive something and communicate a point(s) of view about that something. The only alternative we have witnessed is the willingness of artists to engage the public through applying artistic methods from the past.

Therefore, it is reasonable to say that art is ideas and having the ability to communicate these ideas. This is what art has reduced its self to, and what its fundamental message to the public is. Therefore, to be an artist is to be a human being and all human beings are artists. However, this is not the end of the arts - the need to be human is ever present! It is the beginning of a rebuilding of the arts that recovers the initial meaning of art, to enquire into life and to report upon what one thinks about life. Where art goes from this "new canvass" remains to be seen.

pant

"all broken" hard meter between cracks
step step to step step to (formed)
"motivate me, productive(ly)," 'dernist failures
by form'd future "as mere closure"
attempting step to add can
split D says "universals are autono"
must it but form self(s) construct "pass
it" 'ernist 'lure blanket fails
covering one foot right leg over left
knees together news no head
under (stood) up stamping foot to
foot exhaust diesel material construction bend (d)
foot feet stamp "search't stability,
is it understood?" not for a more
lined telephone were links (furniture,
galaxy) payphone "that callee, that
callee," 4X4 metered out posted "ma, ma
ma, da, ern" pants at
hips left arm under crooked head bent
hand back paper pillows spread
shadow 2pm to 5 pm rolling "to
latch't" butt cigarette over curbs (little concrete
edge broken repaired shoes off
sock under ear left leg stretched (ing)
out "ah," roll over (sky)

T.H.I.N.G.S. C.H.A.N.G.E

SHE SAID INNOTATION SHE SPARRED WITH THE QUESTION RECENT COMPLICITY HAS SPARED MENTAL JUMPS KEY CHROMOSOMES VIRAL HATCHET HAVE U SEEN A SPACE ODYSSEY U TWAT THROW 'EM THROW 'EM ALL CRASHING D'YOU WOT? CRESCENT WOTS ALL THIS ABOUT SHOULDN'T YOU FILL OUT YOUR RATHER PITHY STATEMENTS WITH LITERARY LITERARY DEVELOPMENT? A SHAKESPEARIAN AADVAARK AH BUT ON THE THAMES YOU GOT THEM TV YOU GOT THEM INTERNET SPACES R REELLY REELING
MATURING THEN STRANGE CAREERING EDGE SOLIPSHAPESHIFT MORGAN STAR SPACE IN HER HAIR

At the supermarket music was

playing the
colours of the packaging and all the chin wagging i came
home with my

shopping and i wrote reams of poetry about it i could have sworn it was all a
dream

from THE DAYLIGHT SECTIONS (14)

crook
got hold
of our America

*

get
him out,
return our flag

*

remove
manure from
where flowers go

*

sprout
some new:
grow gladiola back

then phonetics r the arbitraryness of ideas

Hey SQUIRE culture comes from art couture from mrof Shoo Shoo the animate intrinsicoo cOO oh ne te olviarde tee oke flat splet frroYY tlet tlreyyy otre
oh ne te olviarde t oke flat splt EEE froYY tlet tlreyyy otre
H n t EEEEE olviarde ke flat spOOlt frYY tlet OOtlre yyy treo Shoo SHoo wind aminate laminate fuck stream abrasive turn touch stop breathe then phonetics r two the arbitraryness of ideas

TRAIN
DERAIL

n/\\///ccncn//// QUEUE T

A

XIDER

M rEcently new maintenant chIp shOp errors